Wednesday, February 19, 2014

Reason #1 to back Project 86's new album and EP on Indiegogo

http://igg.me/at/Project86/x/6361642

They pull no punches when calling all of us men to treat women with the honor and purity they deserve as God-given right. P86 appropriately likens the pain and damage caused by a man who seeks to find his identity and validation via sexual conquests—here cleverly termed a "Cavity King"—to that of a serial killer. The words of the chorus are simultaneously sung and screamed to support the “Curses in cursive” theme, while the screamed vocals emphasize the extreme urgency that men young and old reject this sort of behavior in ourselves and in our peers. I’ll leave you with the lyrics from their song Cavity King.


Desires in conquest to
Murder her, maim her
Progress possession in blackmail entrails to
Pursuit your end for
Regret with shame, no end to shade
Bait her in
Comfort complete
Then move to kill

Red ink
Spills from her veins
Your quill still draws her in
Red ink
Spills from her veins
In curses, in cursive

This is regret in its purest
A simple plan here
You're on the trail of the
Hunted, haunted now
Smiling and nodding
She'll go without a fight
To your delight she's unaware
She's helpless in your sights

Encounters though brief
Murdering heaping
The coals, the heat
Surgery pending
You're the king of cavity quenching
By inching the tips
Of fingers across the forbidden
Forbidden
Forbidden
Forbidden

I know you ache
But she is alive
I know you ache
But she's more than a story

Entries made public
Your journals in crimson
Her veins filled with red ink
Your quill spills with crimson
_______________________

Champion lyrically-rich music. Help impact lives. Back Project 86's new album and EP: http://igg.me/at/Project86/x/6361642

Friday, August 23, 2013

"The World's Greatest Detective" would not pass judgment this prematurely

This Ben Affleck Batman casting backlash has been a trip back to the summer of 2006 when news broke that Christopher Nolan had cast the late Heath Ledger as the Joker. Internet fanboys/hipsters erupted in vitriolic fury and vowed to boycott the film. After seeing Ledger's jaw-dropping performance in The Dark Knight, you'd think their mouths would still be too stuffed full of crow to spew this sort of vicious, premature inanity all over again. Most of them went bananas when Nolan cast Anne Hathaway as Selina Kyle in 2010 and they're still downing humble pie over that one, too.

Affleck has really grown as an actor and filmmaker over the past decade. Daredevil—a performance I personally feel is unfairly derided due to the film's poor writing, editing, and direction—and the infamous Gigli were released ten years ago! Gone Baby Gone, The Town and Argo have happened since then. Also, WB and Snyder clearly loved what they heard in their meeting with Affleck and picked him for a reason. The casting was brilliant across the board in Man of Steel, so we have every reason to believe that same level of discernment was used to determine who would follow in Bale's footsteps to play the Batman in the Man of Steel sequel.

Look, fellow Batman fans: we are spoiled rotten. We have far and away the three greatest superhero films committed to film in Nolan's masterful Dark Knight Trilogy. Christian Bale has given us hands down the greatest superhero performance in the history of the genre. We've seen the best allies (Caine, Oldman, Freeman, Gyllenhaal, Hathaway, Gordon-Levitt) and the best villians (Ledger, Neeson, Eckhart, Hardy, Murphy, Cotillard, Wilkinson). Pfister's cinematography... Zimmer and Newton Howard's score... we could go on and on. Nothing that happens going forward can alter those wonderful films or their legacy. Why not give Affleck a chance and see what he brings to the table? Anything that happens from here on out is simply icing on the cake. "Why so serious?" indeed.

Sunday, July 8, 2012

Why Batman?


Why Batman?
By Patrick Hodges

It’s a question I’ve been asked numerous times. “Why do you like Batman so much?” “What’s the big deal about Batman?” “Of all the fictional heroes and action icons out there, why are you such a big Batman fan?” I have found these to be difficult questions to answer without completely spiraling downward into utter geek-dom. It’s not so much that I mind sounding geeky, but as soon as I let slip hyperbolic words like “cool”, “awesome”, or “amazing”, I have noticed that anyone other than a fellow Batman nut starts to glaze over with disinterest. When someone asks me why I like Batman, they are obviously looking for something a little deeper.

I like this question because it gets me thinking about exactly why I love the character. The Batman has such a rich, diverse history that people are free to take the character many different ways. Batman is one thing to one person and he is something completely different to another. This is one of the major strengths of the character. However, here I will focus on exactly what the character is to me.

First off, the love he has for the people of Gotham is simply stunning. Before any of you self-proclaimed “manly” men check out on me, we’re obviously not talking about the cutesy, lovey-dovey, February 14th “eros” love here. We’re talking about what it means to be a man and to sacrificially love others. The great Christian philosopher C.S. Lewis defines this type of love as “not affectionate feeling, but a steady wish for the loved person's ultimate good as far as it can be obtained.” Bruce makes himself look like a vain, snobbish, womanizing drunkard to protect his identity as the Batman. Can you imagine willingly projecting this sort of identity for yourself to people you care about? He cares so much more about the people of Gotham than he cares for himself that he willingly makes himself look like a fool so that he can protect them as the Batman. He daily lays down his life for his people.

One utterly breathtaking scene in Christopher Nolan’s 2005 film Batman Begins portrays this magnificently. Bruce descends into a well outside Wayne Manor to both explore the cave beneath his house and overcome a fear of bats he gained by falling into the same well once as a child. He enters the cave, switches on a flashlight, and bats immediately swarm from all around the monstrous cave, washing over him. He is baptized and reborn another man. Bruce’s fears, dreams, and selfish desires die; the mission to save the people of Gotham is all that remains.

Also, he uses his gift of extreme wealth in a completely selfless fashion. Many people—if not most—would use such great riches to obtain the most extravagant life money can buy. So how does Bruce choose to use his wealth? He pours all of his financial resources into developing equipment to stop people from hurting others. He could blow it on frivolous diversions in an attempt to medicate his pain at the loss of his parents, but he chooses instead to invest the gift his parents left him in the lives of others.

Another major aspect of Batman’s character I am drawn toward is his deep sense of honor. Of all the alternate names the character has gained over the years, my absolute favorite is “The Dark Knight”. This title perfectly captures both his shadowy, fearsome nature and chivalry that is deeply-rooted in his character. Batman is old-fashioned in the very best of ways: he has a bravery and strong moral code that harkens back to that of the medieval knight.

Batman’s chivalrous code is strong and rather complex. One of my personal favorite aspects of this is his respect for women. He never marries Vicki Vale, Silver St. Cloud, Rachel Dawes, or Selina Kyle out of respect for them and their safety. He has pledged his life to his mission and knows that he could not give any of them the amount of himself they would deserve. Also, “my” version of Batman is abstinent. He pretends to be a womanizer as Bruce Wayne, but he never actually sleeps with the women with whom he publicly parades around to tarnish his carefully-constructed faux reputation. He knows getting involved with women sexually would only hurt them, him, and hinder his mission. Similarly, Bruce makes the commitment to abstain from drinking alcohol but pretends to drink—a lot—as another piece of his public façade. He has the complete self-discipline to keep himself sharp mentally for his work as the Batman. One of the many reasons I have really appreciated Nolan’s Batman films is that they have completely embraced these aspects of the chivalrous nature of the character.

The Batman will do whatever is needed for the good of his city, but he does have one line that he will not cross, one hard and fast rule he will not break. He does not kill. He understands the preciousness of life. He’s witnessed it being stolen away and knows firsthand what it means to have those closest to you ripped away by the cold judgment of a gun barrel. Most importantly, he knows that he has no right to snuff out the candle of a human life, even in the name of justice. Also, he believes people can change. In many stories he repeatedly tries to help Harvey Dent recover from his fallen state—be it pure choice or mental illness—as Two-Face. In Christopher Nolan’s 2008 film The Dark Knight, the Joker cynically labels Batman’s value of life as a “misguided sense of self-righteousness.” However, there is certainly no self-righteousness to be found in deeply valuing the lives of others. If the Batman were saving others to seek personal glory, it would be so. However, as we have already discussed above, Bruce has no concern for his own image or that of the Batman’s.

As a consequence of this, Bruce obviously detests guns and does not carry one as part of Batman’s equipment. He uses only his intellect, an ever-evolving array of non-lethal weaponry and technology, and his “hammers of justice” (as his fists are often referenced in gloriously over-the-top fashion in Batman: The Brave and the Bold) to incapacitate criminals. I cannot imagine what sort of strength and moral commitment it would take to fight criminals armed with machine guns (or worse) with only martial arts, smoke bombs, boomerang-like throwing stars, a grappling hook, and other strategic gadgets.

He often, if we’re being honest, quite understandably wants to kill criminals for the unspeakable acts they commit, but he never crosses the line. The prime example of this is scattered throughout Batman’s history with his most terrible nemesis, the Joker. The Clown Prince of Crime shot Barbara Gordon—James Gordon’s daughter and the first Batgirl—in cold blood, leaving her paralyzed from the waist down, and even went as far as to beat Jason Todd to death with a crowbar—the second bearer of the “Robin” moniker. What would most of us do under these circumstances? I cannot even imagine. In Romans 12:19 (ESV) in the New Testament of the Christian Bible, the Apostle Paul tells us to “Never avenge yourselves, but leave it to the wrath of God, for it is written, ‘Vengeance is mine, I will repay, says the Lord.’” Bruce holds this conviction. He values life so dearly that he knows even the life of the Joker is precious enough that he has no right to take it.

He prepares extensively for his mission. He devotes himself to strength and endurance training, martial arts and to studying the art of detective work, forensics, stealth, chemistry, and technology. This is often taken to the point of fantasy or impossibility in the comics, but the character is constantly sharpening his physical and mental condition to make himself a more useful tool for the mission.

He also seeks to understand what motivates criminals. In Batman Begins, mob boss Carmine Falcone challenges him with the statement “You always fear what you can’t understand.” Humbly accepting wisdom from the most unlikely of sources, he responds by casting aside his life of luxury for several years to live in hunger and anonymity among the world’s have-nots. Not only is this crucial in helping him to efficiently combat criminality, but it also allows him to properly see criminals as human beings whose lives are too valuable to discard.

As he studies criminality, he comes to understand a very important truth. “Criminals are a superstitious, cowardly lot,” Bruce remarks in one of the earliest Batman stories published in Detective Comics #33 (November 1939). With that knowledge, he dons the dark visage of his childhood fear to strike terror into the hearts of those who would hurt others. He is the visual representation of the wages of sin: pain, suffering, and ultimately death. Criminals have chosen to ignore the negative consequences of their actions, so he gives them one they simply cannot ignore.

While the Batman is the embodiment of wrath and justice for those who would feed off of the pain of others, he shines as a beacon of hope for the downtrodden and hopeless. “People need dramatic examples to shake them out of apathy,” Bruce concludes in Batman Begins. Before Bruce donned the cape and cowl, Gotham was run by gangsters, aided by a corrupt, paid-off police force and judicial system. The citizens had wearily accepted these sad truths with cynicism, apathy, and despair. They needed someone to rescue them from themselves, someone to wake them up and give them hope. He stands forever as their protector and an inspirational figure of someone who cares more for them than he cares for himself.

Resolute, he dons the cape and cowl and pushes onward. He sees the needs his government is not meeting, the injustices it is causing, and chooses to do something about it. I love the moral question his actions raise: if your government is wronging its people and you try to use political avenues to correct the issues without success, is it then appropriate to take matters into your own hands and become an outlaw?

These are simply a few of the reasons why I greatly appreciate the character. He has existed in many different incarnations. He has inspired audiences of little kids, teens, young adults, and mature adults. The tone of the character has varied wildly from the serious, gritty, urban crime fighter; to the goofy, lighthearted self-parody of the 60s TV show; to weird, gothic historical fiction. He even fits in well with exotic, super-powered heroes because of his skills, intellect, and unrelenting spirit. He hearkens to absolute, eternal truths relevant to all ages and incapable of going out of style. For these reasons and many more he continues to be effective and relevant over 70 years after his creation and will more than likely continue to inspire people of all ages for a great many years to come.

Monday, July 21, 2008

The Dark Knight (Further Thoughts)

I saw The Dark Knight for a third time Sunday afternoon. And man.... it gets better every time. Look, I love Citizen Kane, Vertigo, Casablanca, Gone With The Wind, Lawrence of Arabia, and The Godfather, but I'm going to go ahead and say it: this is the best film I've ever seen. Yes, probably all of those films (and many others) will always have a bigger impact on the history and future of filmmaking, but the quality of this film (groundbreaking for the genre) combined with my love of the Batman character and his world leave me completely unable to say otherwise. The Dark Knight also, of course, dethrones the great Batman Begins as my favorite film of all-time. It sure is good to be a Batman fan right now...

Friday, July 18, 2008

The Dark Knight (My Review)

They've nailed it. They've absolutely nailed it. My long-going, seemingly insurmountable level of anticipation (three years worth) has been shattered. I am just blown away by the brilliance of Christopher Nolan's masterpiece. Yes, masterpiece.

The Nolan brothers and David Goyer created a story that is wonderfully complex and truly gripping. They drew pieces from some of the best parts of Batman classics like The Long Halloween, The Man Who Laughs, The Killing Joke, and surely many others (those are just what came to mind as I watched) and made something possibly even better. This isn't your usual throwaway piece of pop culture entertainment. It's much closer to art. The screenplay says so many intriguing things about humanity. Where is the proverbial line? How far can it be pushed to achieve what is ultimately a good and honorable goal? What is true heroism? When the chips are down, how will people react? These are the questions we're faced with. The Dark Knight doesn't presume to answer them for us, but it challenges us to discover the answers for ourselves. I've read several articles that go so far as to say that they think the film is being political, but I argue otherwise. I can't speak for the filmmakers, so maybe I'm wrong. However, the challenging topics of this film have been explored in countless Batman stories over a span of 70 years. These aren't new ideas to the Batman mythos. If anything, this just proves how relevant Batman continues to be, generation after generation.

As for the film's technical aspects, let's talk about the guy most responsible for this film: Christopher Nolan. Can this guy make a bad film? Film by film, Nolan's been cementing himself as one of the great directors of our time. Memento, Batman Begins, The Prestige.... these are all amazing, top-tier films. And now, with The Dark Knight, I think everyone is going to finally realize just how good this guy is. And how about Wally Pfister's cinematography? Just gorgeous, gorgeous stuff. The score is very well done, too. It feels like a natural progression of the themes presented in Batman Begins. The new, much talked about one-note-based theme for The Joker works exceptionally well. And, of course, this wouldn't be a Batman film without some great action. Aerial stunts, car chases, explosions, and plenty of fight sequences.... The Dark Knight is a jolt of caffeine that keeps your heart racing from start to finish.

While the action sequences and stunts are amazing, the more intimate scenes are the heart of the film. As a prime example, an interrogation scene between The Batman and The Joker honestly just shocked me. I figured their interaction would be good.... but it's much, much better than that. It's amazing to see such great character work in a blockbuster. And not only is it great character work, but the fabled complex relationship between Batman and The Joker is portrayed perfectly. At one point in the film, The Joker says this to Batman: "You won't kill me, out of some misguided morality, and I won't kill you because you're just too much fun. I think we're destined to do this forever." Just perfect. Talk about a Batman fan's dream come true....

One thing I don't think I can say enough about (and can't really do justice for anyway) is this interpretation of The Joker. After this performance, The Joker is definitely Ledger's. I can't imagine his take ever being topped. The Joker has always been one of the classic literary villains just aching for an accurate big-screen portrayal and man, Heath did it better than I could've ever hoped. He's somehow managed to pull off being funny, sadistic, charismatic, and downright frightening all at once. You can't take your eyes off the guy. And you can't decide whether you want to laugh or throw up when you hear his jokes. And often when he does make you laugh, you feel bad for doing so. That, my friends, is The Joker. And most importantly, this Joker is the perfect opposition for The Batman.... a true and constant threat that challenges him in nearly every way imaginable. Everyone's talking posthumous Oscar for Heath and I sure hope he not only gets nominated, but that he wins. This performance is just that good.

I also really, really appreciate the other new central character: Aaron Eckhart's performance as Harvey Dent and Two-Face. Eckhart's Harvey is noble, yet cocky and angry enough before the accident to really sell it when Harvey is horribly injured and unleashes his darker side. I have to give some serious credit to the writers here, as well, for adapting the character so well. The tragic side of the character comes across perfectly. The rest of the performances are solid, too. I love the way Gary Oldman, Michael Caine, and Morgan Freeman have elevated these films. These guys are some of the best we have and never seem to disappoint. Also, Maggie Gyllenhaal is a welcome addition to the cast replacing Katie Holmes as Rachel Dawes. Going in, I think I would've preferred Katie Holmes to stick around just for continuity sake, but Gyllenhaal does such a fine job that it's really not an issue.

But who is this picture about? The Batman, of course, and they're continuing to get him absolutely right. Christian Bale is just an excellent Bruce Wayne. He's perfected the "fake Bruce Wayne" by acting like a silly rich drunkard, womanizer, and egomaniac. He's hilarious a lot of the time, but we never forget just how selfless of an act it really is. He also embodies the real Bruce Wayne which only Alfred and Rachel (and Fox to some degree) truly know. And last, but definitely not least, he's a heck of a Batman. In The Dark Knight, you can tell Batman is maturing. He's becoming the signature Batman who pushes the line of what's decent and acceptable. He walks the razor's edge every night. He's also becoming more self-sufficient. We see him doing more detective work. We see him making technological advances with little or no help from Lucius Fox. As for the title of the film: Batman truly becomes The Dark Knight in this story. The decisions he makes throughout the film show us this progression. And the decision he makes at the end of the film is one of the most refreshing takes on heroism and selflessness that I've ever seen put on film.

I think it's safe to say that after this no one will ever look at the "comic book genre" the same again (if it's even fair to label this artistic vision as such). This is the father -- or The Godfather, as many critics have said -- of the genre. Look, I love Citizen Kane, Vertigo, Casablanca, Gone With The Wind, Lawrence of Arabia, and The Godfather. Those are fantastic films that I could watch over and over again. But I'm going to go ahead and say it: this is the best film I've ever seen. Yes, probably all of those films (and many others) will always have a bigger impact on the history and future of filmmaking, but the quality of this film -- groundbreaking for the genre -- combined with my love of the Batman character and his world leave me completely unable to say otherwise. The film also, of course, dethrones the great Batman Begins as my favorite film of all-time. Begins did a magnificent job exploring the origins of the character, but along with its main theme, "escalation," The Dark Knight just takes things to a whole new level. Finally, we've gotten the film that will almost certainly be met with unanimous agreement as the definitive take on the character. This is The Batman.... this is The Dark Knight.

Thursday, June 26, 2008

Listen to Third Day's new album for free until the end of June!

One of the fine posters over at KutlessRocks.com, "kutless23", just informed all of us there that Third Day has been nice enough to let all of us listen to their new album "Revelation" for free! Just click the following link and enter your email address:

http://provident.milkmoneypromotions.com/thirddayplayer/

Pretty cool, huh? I'm listening as we speak and I really like what I'm hearing. But I'm a long-time Third Day fine so I might be a bit biased. :) Regardless, check it out! Third Day's "Revelation" releases July 29th, 2008.

Tuesday, June 24, 2008

Kutless' new album "To Know That You're Alive" releases today!

Well, the cool things this summer keep on coming and coming. First it was The Chronicles of Narnia: Prince Caspian and Indiana Jones and the Kingdom of the Crystal Skull releasing (two of my favorite film franchises releasing new films in the same week) back in May. The Dark Knight -- the follow-up to my favorite film ever made, Batman Begins -- comes out in just a few weeks. Heck, even a new CGI Star Wars film is coming out in August. Now, today gives us a new album entitled To Know That You're Alive from one of my favorite bands on the planet, Kutless.


I picked up the album as soon as I got off work tonight at my local Family Christian store. It was only $11.23 with the sweet 25% off coupons that Family Christian regularly sends out. That's quite a bargain because 1) it's Kutless! and 2) there are 13 tracks on the album. And to make things better, I've listened through the album several times and it's excellent. Just great stuff. Possibly Kutless' best album yet. The music is diverse (but still heavy) and is full of powerful, Christ-centered lyrics. Thanks so much for your hard work on this great album, Kutless! I'm going to be listening to this quite a bit for quite awhile.